Mary Okeke Reviews
Independent literary reviews since 2012
Monday, 27 July 2026
Theft, 2025, Abdulrazak Gurnah *****
Thursday, 16 July 2026
14 Years of Mary Okeke Reviews
Fourteen candles. If you'd told me, back when I published my very first post, that I'd still be here fourteen years later writing about the books I love, I'm not sure I would have believed you. And yet here we are.
I started this blog with nothing more than a love for books and a need to talk about them somewhere. No plan, no strategy, just me, a keyboard, and a growing pile of African literary fiction I couldn't stop thinking about. What began as a quiet, personal habit slowly became something much bigger than I ever expected it to be.
Fourteen years later, here's where we are: 290 posts, 1,571 comments, and 1,637,379 views from readers all over the world. Numbers like that still stop me in my tracks. Somewhere out there, over a million and a half times, someone opened a post of mine looking for their next read or maybe just wanting to feel less alone in loving a book nobody around them had heard of. That's the whole reason I do this. Every year I look at the all-time stats and every year they surprise me a little. Some of these are books I wrote about ages ago, and yet readers are still finding them, still reading, still commenting. That's the strange magic of a blog, a review never really closes.
Sitting at the very top, with over
Wednesday, 8 July 2026
God's Children Are Little Broken Things, 2022, Arinze Ifeakandu ****
This novel is unlike anything I've read before. It's built on the lives of gay men in Nigeria, a subject I'd only ever encountered in fragments and whispers, never told this openly, this fully, until Arinze Ifeakandu's debut.
Structured as a collection of interlinked stories, the book moves through parents who disown their own children over their sexuality, men who marry women out of fear rather than love, and boys who are bullied, harassed, or falsely accused simply for who they are. But it's also something warmer than that list suggests: a coming-of-age portrait of gay boys and men in Nigeria, how they party, how they flirt, how they build ordinary lives inside an unforgiving world.
Ifeakandu is clearly gifted. His prose is exquisite, the kind you want to slow down for. I'll admit, though, that I sometimes lost the thread with so many characters shifting in and out of focus across stories. It asks for patience, but it rewards it too.
A few stories stayed with me long after I finished the book.
"Where the Heart Sleeps" follows Nonye, who returns home for her father's burial only to find his partner, Tochukwu, still living in the
Saturday, 9 May 2026
The Girl with the Louding Voice, 2020, Abi Daré ****

Sunday, 19 April 2026
Mother Mary Comes to Me, 2025, Arundhati Roy *****
Sunday, 22 February 2026
Dream Count, 2025, Chimamanda Ngozi Adichie ****
Dream Count is the story of four women Chiamaka, Zikora, Kadiatou and Omelogor and from the very first pages, I felt like I had been invited into their private group chat. The kind where ambition, heartbreak, pride and vulnerability all sit at the same table.
Chiamaka is born into wealth and raised in comfort, yet she chooses the uncertain life of a travel writer. She circles the globe while dating vigorously, convinced that somewhere between boarding gates and hotel lounges she will meet the man who completes her story. Zikora, her friend who migrates from Nigeria to the United States, is a sharp corporate lawyer. She wants the wedding of her dreams, the husband of her dreams and the perfectly curated family life. At the same time, she is carrying the quiet ache of wanting to reconcile with her mother. Kadiatou’s story is the one that lingers. Born poor in Guinea Conakry, she becomes Chiamaka’s help. After being raped in a VIP hotel room by a
Friday, 9 January 2026
My 2025 Reading Highlights
Last year, I didn’t just read books, I sat with them. I listened to voices shaped by war, exile, humour, love, ambition, silence, and power. Some made me uncomfortable. Some held me gently. Others stayed with me long after I turned the last page. Looking back, there’s a clear thread running through all of them: Identity: how it is formed, challenged, lost, reclaimed, and reimagined.
These are the books I read last year, and below is why each one mattered to me.
Sunday, 30 November 2025
Bitter Honey, 2025, Lola Akinmade ****
Sunday, 31 August 2025
Becoming, 2018, Michelle Obama *****
Monday, 21 July 2025
The Pole, 2023, J.M. Coetzee ****
Tuesday, 22 April 2025
How Dare the Sun Rise: Memoirs of a War Child, 2017, Sandra Uwiringiyimana , Abigail Pesta *****
The book opens with warm recollections of Sandra’s early childhood in Congo. Despite growing up in a region marked by deep-rooted conflict, her memories are filled with joy, family, and a sense of belonging. But everything changes when war breaks out. Forced to flee their home, Sandra and her family seek refuge in Gatumba, a camp in neighboring Burundi. What they hoped would be a safe haven becomes the site of a horrific massacre that claims the life of her beloved younger sister, Deborah.
This traumatic event sets off a chain of circumstances that eventually brings Sandra and her family to the United States. She was only 11 or 12 at the time, and what follows is a deeply personal account of a refugee family trying to adjust to a completely new world, one filled with
Monday, 24 March 2025
Born a Crime: Stories From a South African Childhood, 2016, by Trevor Noah *****
At the heart of this story is Trevor’s mother, Patricia Nombuyiselo Noah, a warrior in her own right. Born and raised under the brutal oppression of Apartheid, she refused to let the system define her destiny. Against all odds, she carved out a life for herself, defying laws, norms, and expectations. She chose to have a child, a mixed-race child, with a white man at a time when such a union was not just taboo, but illegal. Yet, she was determined that her son would not inherit the burden of Apartheid.
Trevor takes us through his childhood, raised by a mother whose love was fierce and unwavering. She gave him everything she could, shielding him with her wit, wisdom, and unwavering belief that he was meant for something greater. But just when you think the book is solely about Patricia’s fight, Trevor shifts the focus to himself, his experiences as a biracial child navigating
Thursday, 12 October 2023
Homegoing by Yaa Gyasi *****
In my opinion,
Sunday, 18 April 2021
African Literature in translation: Libros de Baobab
Monday, 7 October 2019
Better Never than Late, 2019, Chika Unigwe *****
Wednesday, 2 October 2019
FRIDAS DE BARCELONA
Promover la poesía activista y feminista.
Empoderar a la mujer poeta.
Crear redes entre poetas de todo el mundo.
Sunday, 2 June 2019
Travellers, 2019, Helon Habila *****
Sunday, 28 April 2019
Memoirs of a Woman Doctor, 2019, Nawal El Saadawi ****
"because from early childhood a girl is brought up to believe that she's a body and nothing more, so her body becomes her main concern for the rest of her life, and she doesn't realise that she's got a mind as well which must be looked after and encouraged to develop"
"How can a woman live alone without a man? Why is she going out? Why is she coming in? Why is she smiling? Why is she breathing? Why is she taking gulps of fresh air? Why is she looking at the moon? Why does she hold her head up and open her eyes wide? Why does she tread with confidence and
Sunday, 21 April 2019
Known and Strange Things: Essays, 2016, Teju Cole ***
Aciman's Alibi: What we missed was not just Egypt. What we missed was dreaming Europe in Egypt" - what we missed was the Egypt where we'd dreamt of Europe"
Guergui Pimkhassov: ...Behind this dispiriting stream of empty images is what Russians call poshlost: fake emotion, unearned nostalgia. According to Nabokov, poshlost "is not only the obviously trashy but mainly the falsely important, the falsely beautiful, the falsely clever, the falsely attractive."




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